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Flora Kao
100 Views of Fish Harbor, Terminal Island, 2026. Cyanotype on cotton. Dimensions variable
Gallery photos by Jordan Rodriguez
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Flora Kao
100 Views of Fish Harbor, Terminal Island, 2026. Cyanotype on cotton. Dimensions variable
Gallery photos by Jordan Rodriguez
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Flora Kao
Coastline: Tide, 2026. Oil on canvas. 8 x 12 feet
Gallery photos by Jordan Rodriguez
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Flora Kao
Ghost Net (Sardine), 2026. Cyanotype on cotton. 8 x 6 feet
Gallery photos by Jordan Rodriguez
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Flora Kao
Ghost Net, 2026. Reclaimed net. 15 x 25 feet
Gallery photos by Jordan Rodriguez
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Flora Kao
Ghost Net, 2026. Reclaimed net. 15 x 25 feet
Gallery photos by Jordan Rodriguez
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Hilary Norcliffe
Alpha Frequency, 2026. Poem cut out of large paper, date palm husks, tin foil, discarded suitcases, palm leaves, acrylic paint, computer packaging cardboard, monitor with Jennifer Gunlock’s video, #2 white plastic jugs. Dimensions variable
Gallery photos by Jordan Rodriguez
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Hilary Norcliffe
Alpha Frequency, 2026. Poem cut out of large paper, date palm husks, tin foil, discarded suitcases, palm leaves, acrylic paint, computer packaging cardboard, monitor with Jennifer Gunlock’s video, #2 white plastic jugs. Dimensions variable
Gallery photos by Jordan Rodriguez
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Hilary Norcliffe
Alpha Frequency, 2026. Poem cut out of large paper, date palm husks, tin foil, discarded suitcases, palm leaves, acrylic paint, computer packaging cardboard, monitor with Jennifer Gunlock’s video, #2 white plastic jugs. Dimensions variable
Gallery photos by Jordan Rodriguez
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Hilary Norcliffe
Alpha Frequency, 2026. Poem cut out of large paper, date palm husks, tin foil, discarded suitcases, palm leaves, acrylic paint, computer packaging cardboard, monitor with Jennifer Gunlock’s video, #2 white plastic jugs. Dimensions variable
Gallery photos by Jordan Rodriguez
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Hilary Norcliffe
Future Port, 2026. Poem, hand-cut paper. 96 x 53 inches
Gallery photos by Jordan Rodriguez
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Jennifer Gunlock
Going Fishing, 2026. Digital collage / video, 3:19 (looped) Video stills
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Jennifer Gunlock
Going Fishing, 2026. Digital collage / video, 3:19 (looped)
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Katie Stubblefield
Live Through This, 2026. Wedding dress, pearls, paint, lace. Dimensions variable
Gallery photos by Jordan Rodriguez
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Kaya & Blank
(left to right)
Intermodal KBL S 241019 1, 2025. Gold-toned salted paper print
Intermodal KBL S 250518 1, 2025. Gold-toned salted paper print
Intermodal KBL S 241212 1, 2025. Gold-toned salted paper print
Gallery photos by Jordan Rodriguez
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Kaya & Blank
Intermodal KBL S 241019 2. Gold-toned salted paper print.
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Kaya & Blank
Intermodal KBL S 250109 1, 2025. Gold-toned salted paper print. 15 1/8 x 12 3/4 inches
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Kaya & Blank
Intermodal, 2024. Video still
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Built on Water
Overlooking the Ports of Los Angeles and Long Beach, Angels Gate Cultural Center is a resonant vantage point from which to examine the Ports’ industrial present and layered histories beneath. Monumental stacks of containers, towering cranes, endless lines of semitrucks and cargo ships, compress a dense network of global commerce into an abstract grid of steel, color and mechanized movement. This built environment both magnifies humanity's dominance over nature and conceals place and memory. A container for redundant histories, the region’s layered story holds present-day parallels: the forced internment of Japanese Americans from the leveled Terminal Island fishing village also echoes the erasure of the original Gabrieleño Tongva peoples. The Ports are machines for transpacific exchange, yet their industrial reach has permanently altered the ecology of the natural coastline and the marine life once sustained. Built on Water examines the Ports’ layered industrial landscape in order to postulate a visionary future — where memories surface, nature reclaims and we progress.
Curated by Cecelia Caro
Construido en Agua
Con vistas a los puertos de Los Ángeles y Long Beach, el Centro Cultural Angels Gate es un mirador emblemático donde el cual examina el presente industrial de los puertos y las historias superpuestas que están bajo ellos. Las monumentales pilas de contenedores, grúas y las interminables filas de camiones y buques de carga condensan una densa red de comercio global en una cuadrícula abstracta de acero, color y movimiento mecanizado. Este entorno construido, exalta el dominio de la humanidad sobre la naturaleza y, al mismo tiempo, oculta el lugar y la memoria. Como un contenedor de historias redundantes, la historia de la región presenta paralelismos con la actualidad: el internamiento forzoso de los japoneses-estadounidenses del pueblo pesquero arrasado de La Isla Terminal y también se hace eco del borrado de los pueblos originarios Gabrieleño Tongva. Los puertos son máquinas para el intercambio transpacífico, pero su impacto industrial ha alterado de forma permanente la ecología del litoral natural y la vida marina que una vez sustentó. Construido en Agua examina el paisaje industrial del puerto con el fin de postular un futuro visionario —donde los recuerdos afloran, la naturaleza se recupera y nosotros progresamos.
Comisariado por Cecelia Caro
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Hilary Norcliffe
Alpha Frequency, 2026. Poem cut out of large paper, date palm husks, tin foil, discarded suitcases, palm leaves, acrylic paint, computer packaging cardboard, monitor with Jennifer Gunlock’s video, #2 white plastic jugs. Dimensions variable


Gallery photos by Jordan Rodriguez
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Hilary Norcliffe
Future Port, 2026. Poem, hand-cut paper. 96 x 53 inches
## Skin ### Label Label_0DD14F09_1744_0507_41AA_D8475423214A.text = Built on Water Label_0DD14F09_1744_0507_41AA_D8475423214A_mobile.text = Built on Water ### Multiline Text HTMLText_3918BF37_0C06_E393_41A1_17CF0ADBAB12.html =
Gallery Views:
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Gallery Views:
## Tour ### Description ### Title tour.name = Built on Water